I was rearranging my room the other day - putting some order in the organised mess that was my stacks of magazines - when I stumbled upon some old mid-90s Elle Decoration magazines. If someone were to ask me what magazines defined my teenagehood, it would be these rags I rescued from my father, who then ran a small hand-made sofa store. As a kid, the house was never short of these UK-edition Elle Decoration. It was through these pages that kick-started my interest in design and good living.
Here are pictures of artist-filmmaker Julian Schnabel's loft - way back when he was still thin-ish and not into wearing pajamas to public events (February 1996 edition).
Now I need to find an old warehouse for my old magazines.
I make it a point to avoid blogging about ad - there are better and far more interesting and insightful ad bloggers out there. But this is an one and only exception.
Given the cynicism of the age, it's hard for the cleverness of an ad to make someone smile/giggle/laugh. Let alone a print ad like this one. I believe this one won a Cannes Lion, whatever the colour-material - Bronze, Silver, Gold, Wood, Plastic... I have no idea. It doesn't matter really. But I haven't seen a good, long-copy ad for a while. Funny, while not trying too hard. It also keeps the VW spirit too, in a way paying homage to the old "Lemon" ad.
Before I went to sleep last night, way past midnight, all sloppy eyes and runny nose, I read a bit of the late Paul Arden. I couldn't find the passage in his little book this morning, when I was all conscious and bright-mind tip-top.
But it goes something like this:
Solving problems is the exciting part not knowing the answers.
Sound too simple? Maybe I was dead tired then. But it's illuminating. Bravo.
An interview with the young Werner Herzog on his collaboration with the undisputedly insane and out-of-kilter Klaus Kinski on Aguirre, the Wrath of God.
For artistic achievement, would you cross the line into insanity? Herzog did. And to my surprise - he said that Kinski was the only person he, a self-taught filmmaker, considered a teacher.
On his growth as a filmmaker: "For the past 14 years I have been doing things not within my grasp by nature. I have learned that in order to make films, you have to be able to survive [sleepless nights, stress and humiliations]. Work them over and make them into something productive. All these humiliations [from Kinski]. They're essential parts of filmmaking. And anyone who can't take that, can't make films."
Taking care of sick elderly/visa application/painting house/university accommodation/article writing/getting rid of cold/future career prospect/financial matters/suspension of BAE Probe/terrorists/back pain from tennis/medical check-up/dentist appointment/office politics/leaving selfish employer/pondering when those The Nation Group director-crooks allegedly siphoning money from the company would be caught and punished/worrying about runaway inflation and high interest rates/not seeing the end of the housing market slump/Blahblah...
All the while, my dog has been chasing toads (devouring them), mice (just killing them) and sometimes cooking gas delivery man and postmen in the garden (alas, to no avail).
Here is a picture of her, napping after a night of nocturnal toad and mouse hunting. In her favourite position.